

General Theoretical Framework: Communication Theory in the Field of Design
Design, particularly branding and packaging design, is fundamentally a discipline of strategic communication. It moves beyond aesthetics to become a system for encoding and transmitting messages, creating meaning, and building relationships with an audience—core tenets of communication theory as outlined in the course.
From a semiotic tradition, design is a language of signs and symbols. A logo, a color palette, an illustration, and a typeface are not merely decorative; they are signs that carry culturally and contextually embedded meanings. The designer acts as the sender, encoding a specific brand narrative and set of values into these visual signs. The consumer becomes the receiver, actively decoding these signs based on their own experiences, culture, and context. The goal is a shared understanding—the successful transfer of the intended meaning from brand to user.

Sku illustrations separating shampoo by pet hair type
The socio-cultural tradition emphasizes that communication reproduces social order and shared realities. Branding participates in this by shaping and reflecting cultural practices and values.
A pet care brand doesn’t just sell shampoo; it engages with the culture of pet ownership, the emotional bond between humans and animals, and societal trends toward mindful consumption and experiential living.
Design must craft a persuasive message that can modify beliefs, attitudes, and ultimately, behavior (purchase, loyalty). This involves considering both central and peripheral routes (Elaboration Likelihood Model). For a low-involvement product like shampoo, the initial appeal is often peripheral: charming illustrations (liking), a sense of fun (emotional appeal), and clear visual categorization (simplicity). However, to build lasting loyalty, the design must also support central route processing by communicating tangible benefits (fur-type specialization, ingredient quality) for the motivated, involved pet owner.
Brand Presentation for a Broad Audience
The bright palette and playful characters on the packaging attract the attention of a young audience and also broadcasts the playful mood of the brand.
«Boop transforms the necessary chore of pet grooming into a joyful, shared moment of playfulness and connection»
Core Tasks and Communication Objectives


Simple 2D illustrations of happy animals are based on the positive experience of the buyer, making him remember that caring for an animal is also fun.
The clear shape of the wool in the drawings makes it easier to find the right product.
Brand Values & Their Communication:
Presentation for a Professional Design Audience
The Boop strategy is a case study in applied visual rhetoric and systemic semiotics.
The warm colors on the packaging are associated with joy and evoke warm feelings for the buyer.


The text on the package is clear due to the roundness of the shapes.
The playful style with its constants is easily transferred to other media.
The Strategic Process: Bridging Theory and Practice
Our strategy was built by selecting and synthesizing specific theoretical lenses to solve a practical business and design problem.


A merch based on the theme of love for a pet helps to change the stress-filled routine of the owners.
The unusual nature of the illustrations helps to capture the buyer’s attention not only on the packaging, but also on outdoor media.


A merch based on the theme of love for a pet helps to change the stress-filled routine of the owners.


An example of using illustrations in outdoor advertising with copywriting.
A merch based on the theme of love for a pet helps to change the stress-filled routine of the owners.
The strategy is not a decoration of a product with theory. It is a theory-informed process: from interpretive diagnosis, to strategic reframing, to the construction of a coherent symbolic system designed for both emotional appeal and functional clarity, all while living cohesively in a modern media environment.
Chandler, D. Semiotics: The Basics. 3rd ed. London: Routledge, 2017 // Routledge.URL: https://www.routledge.com/Semiotics-The-Basics/Chandler/p/book/9781138232938 (дата обращения: 12.12.2025).
Fiske, J. Introduction to Communication Studies. 3rd ed. London: Routledge, 2011 // Routledge.URL: https://www.routledge.com/Introduction-to-Communication-Studies/Fiske/p/book/9780415596525 (дата обращения: 12.12.2025).
Hall, S. Encoding/Decoding // Culture, Media, Language. London: Routledge, 2003. P. 117–127.URL: https://www.routledge.com/Culture-Media-Language/Hall-Hobson-Lowe-Willis/p/book/9780415259000 (дата обращения: 12.12.2025).
McQuail, D. McQuail’s Mass Communication Theory. 6th ed. London: Sage Publications, 2010 // Sage.URL: https://uk.sagepub.com/en-gb/eur/mcquails-mass-communication-theory/book233223 (дата обращения: 12.12.2025).
Petty, R. E., Cacioppo, J. T. Communication and Persuasion: Central and Peripheral Routes to Attitude Change. New York: Springer, 1986 // Springer.URL: https://link.springer.com/book/10.1007/978-1-4612-4964-1 (дата обращения: 12.12.2025).
All images are taken from Ksenia Ivanova’s project: https://hsedesign.ru/project/6a542df11bb74acba2f3a3637c92803a (дата обращения 13.12.2025)