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Mozart and Salieri. A.S. Pushkin Culligar Book of Y.A. Nozdryn

Longread translated automatically
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The inscription «Mozart» consists of letters of linear razor of different inclinations and thickness. In the case of letters, there is a printing music. Countering Mathematics and divine Harmony

The handwritten book of painter Yuri Nozdryn is a font lit up by waterline divorces. The designer ' s mission is to prepare the audience for the musical rhythm of the compositions using the musician ' s font, notes and portraits, stressing the rhythmal basis of the Minion Pro typewriter.

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Satisfied pink colour and large parts of the introductory font separate the calligraphy block of the book, stored in monochrome colorite and small details

The story occurs in Vienna, so in addition to the cyrillic signs, the & Ampersánd — a logo that replaces the «and» alliance — which reinforces the musical image of plastic book turns by graphically transmitting the music rhythm, the spirit of Mozart’s music. Requiem’s note adds to this effect

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The Ampersand sign (&) combines both portraits in such a way that there is a consistent visual integrity of the «Mozart and Salieri», genius and villains.

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Mozart’s and Salieri’s life-long portraits, accent on the eyes, Mozart’s portraits are getting younger. In an early 8-year-old portrait, it’s like the baby’s vision of the end of creation is the immortal creation of Requiem.

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There are poems «Requiem» on the calculus, under the fax of the note sheet «Requiem». Flip, Mozart’s profile falls over Pushkin’s profile, and there’s a game of images and a liter.

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The book is hugged by the black wings of the forzac, which replace the alo-pink opening and exit of the book.

Ampersand repeats itself on the portrait of a caligraph artist, bringing together the creators of the book. The pink background of the page umbrellas the book space, separating the calligraphy space from the introductory part.

Calligraphy shows an unusual flat form of music harmony, transforming a sensitive series of gun tragedy

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The color of the book echoes the emotional spirit of the tragedy. The play of materials, binding fabrics, stencil printing, design papers, calca — creates a sense of theatricality in book space.

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The Bible Quotation Prejudices the Meaning of Creation

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Minyon’s font is handsome without stunning and pretentiousness, the modern typeface of its plastic style serves as a bridge between the music of the end of the 18th century and the Calligraphia of the beginning of the 21st century.

The proportions of the sheet, the stripes, the letters, the headlines send us back to the monumental images of the book heritage. Black invoice forzac reminds me of the implacability of the end of life.

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