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It is a periodic edition of the visual culture of Japan. The focus is on the post-war period. The illustrative series prevails over the text. The draft does not purport to be objective, but rather expresses private opinions, tastes and interests.
The first issue focuses on the phenomenon of «new wave» in Japanese cinema and is implemented with a «low seal» (printer-fax-scanner-print).
Key Japanese «new wave» films
«In Defense of Bad Image,» Hito Steyerl
Visions
End and beginning
The second issue refers to the Hat-um movement (hata is «bad,» incompetent» and smart «good, skilled») in the Japanese illustration. Implemented on various papers.
Garo
Teruhiko Yumura
Ebisu Yoshikazu
Yokoyama Yuichi
The third issue deals with the nuances of the daily life of the Japanese, is about routine and has a ring structure. Implemented on matt hard white paper.
Morning — Masaki Yamamoto
The Road to Work — Yota Yoshida
Workday — Kenji Kawamoto, Pavel Yushuk
The Road Home is Eric Pillo.
Night — Motoyuki Difu
Overlay has become the basic principle for the preparation of accompanying materials. At first glance, unrelated objects are placed on each other, thus passing on the idea of concentration, multidisciplinaryity, convergence of meanings.
