Заключение
Снимки экстремальных обстоятельств развиваются по траектории от общего к частному. Стандартизированное представление о произошедшем, которое диктовалось сформированной общей картиной мира, разрушается о персональный взгляд. Вместо одной правильной объективной точки зрения относительно события возникает поток представлений. Мы наблюдем сдвиг в сторону персонального взгляда.
В первую очередь смещается фокус внимания фотографа. Происходит движение от абстрактного события к человеку в момент события. Фиксируя случившееся, фотограф со временем начинает концентрироваться на персональной истории самих людей, их опыте, переживаниях и травмах.
Постепенно сокращается дистанция между фотографом и участником происходящих событий. Фотограф буквально подходит ближе к герою. Границы допустимого для фиксирования камерой заметно смещаются. Местами нарушая личное пространство героя, фотограф погружается в самые сокровенные моменты его жизни и запечатляет то личное, что способно вызвать отклик аудитории, увидевшей сделанный снимок.
Помимо этого, сама по себе фотография как искусство профессиональной документации теряет свой авторитет на новостном пространстве. Снимки начинают создаваться не профессиональными фотографами, а любителями. Появление телефонов обеспечивает непосредственных свидетелей события возможностью создавать серии снимков и видеороликов, которые намного достовернее отражают случившееся. Требование профессионализма в документировании отходит на второй план, и теперь предпочтение отдается «живой съёмке», кричащей о своей достоверности. Очевидец ближе к событию, он ближе к пониманию происходящего, к контексту. Его свидетельства оказываются намного ценнее тех, что профессионально снимает чужак.
Но даже не смотря на такие серьезные перемены, те фотографии, что сегодня создаются любителями в первые секунды произошедших событий, всё так же продолжают отвечать первоначальным целям снимка. Изменениям подвергается лишь подход к созданию фотографий. Само же трагическое событие, запечатленное на фотографии, всегда будет идти впереди способа фиксации. Присущая способность оставлять свои отпечатки сохраняется за снимками во что бы то ни стало.
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