
I adore looking at sophisticated Ikebana compositions, but the more I look at them, the more I feel the presence of death

«Thanatopractor’s gaffe», digital photography (2024). Captired during an exhibitions «Fu Sai. Colorful wind» (2024) at All-Russian Decorative Art Museum
Bouqets, vases and dried flowers to me is always about death. There is something perverse about admiration of something that is «past death» — the cutting of plants.
All of the artworks were flawless, resembeling timeless sculptures, except fot this one.