Six characters searching for author Luigi Pirandelo
Italy, 1920s, avant-garde, metatheatre and absurdity.
The play « Six characters in the author ' s search for» uses the «theater in theater& raquao; to rethink stage action canons and the very nature of the theatre. This formal game and formed the basis for the book concept.
Luigi Pirandellolo and a friend at the Nobel Prize in 1934. Frontissus
The play’s text is located in the center of the turn. ====Nbsp========Nbsp; =========Nbsp; ============Nbsp==========Nbsp===========Nbsp==========Nbsp===============Nbsp==================Nbsp==============Nbsp===========Nbsp================Nbsp==============================================================================================================================================================================================================================================================================================================================================
The text of the articles is given by a two-column, their headings are centred around the main column, and the footnotes to the column with the roles, but this does not work on the right side. There is a conflict between the symmetry of the two texts.
Sometimes the elements of the articles crash into the the text block of the play — a sort of breakdown of the strict classical system.
The centre of the book — cut text of the play. The physically divided two parts of the text highlight the idea of publishing about rethinking the book of space within itself and reading scenes.
In the final part of the articles, the text ends, and the play remains one at a turning point, as if to offer the reader freedom of interpretation of the ending.
The numbering of Roman numerals indicates the page of the play
At the last turn, the play’s text comes out of the field and takes over the entire page.
